THE BIRTH OF RATINGS

By early fall, I was ready. My colleagues in the National Association of Theatre Owners joined with me in affirming our objective of creating a new and, at the time, revolutionary approach to how we would fulfill our obligation to the parents of America.

My first move was to abolish the old and decaying Hays Production Code. I did that immediately. Then on November 1, 1968, we announced the birth of the new voluntary film rating system of the motion picture industry, with three organizations, NATO, MPAA, and IFIDA, as its monitoring and guiding groups.

The initial design called for four rating categories:

G for General Audiences, all ages admitted;

M for mature audiences - parental guidance suggested, but all ages admitted;

R for Restricted, children under 16 would not be admitted without an accompanying parent or adult guardian; (later raised to under 17 years of age, (and varies in some jurisdictions));

X for no one under 17 admitted.

The rating system trademarked all the category symbols, except the X. Under the plan, anyone not submitting his or her film for rating could self apply the X or any other symbol or description, except those trademarked by the rating program.

Our original plan had been to use only three rating categories, ending with R. It was my view that parents ought to be able to accompany their children to any movie the parents choose, without the movie industry or the government or self-appointed groups interfering with their rights. But NATO urged the creation of an adults only category, fearful of possible legal redress under state or local law. I acquiesced in NATO's reasoning and the four category system, including the X rating, was installed.

So, the emergence of the voluntary rating system filled the vacuum provided by my dismantling of the Hays Production Code. The movie industry would no longer "approve or disapprove" the content of a film, but we would now see our primary task as giving advance cautionary warnings to parents so that parents could make the decision about the moviegoing of their young children.